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A biweekly roundtable by the former editorial team of The Dissolve examining how classic films inspire and inform modern movies. Episodes take a deep dive into a classic film and its legacy in the first half, then compare and contrast that film with a modern successor in the second. Hosted and produced by Genevieve Koski, Keith Phipps, Tasha Robinson and Scott Tobias. Part of the Filmspotting family of podcasts.
 
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show series
 
The second half of our pairing looking at young women publicly testing the goodwill of their loved ones drops in on another awkward community function in the form of SHIVA BABY’s titular gathering. We’re joined again by film writer Jordan Hoffman to talk about Emma Seligman’s extraordinary debut feature and how it connects to Jonathan Demme’s RACHE…
 
It's a pair of uneasy couples on this week's show: first up, comedian Patti Harrison as a 20-something surrogate mom to Ed Helms' single 40-something dad in Nikole Beckwith's TOGETHER TOGETHER; and then real-life couple Orson Welles and Rita Hayworth in the '47 noir THE LADY FROM SHANGHAI, with Welles as an Irish drifter who gets caught up in a mur…
 
The new indie comedy SHIVA BABY’s focus on a young woman attending an obligatory family event and finding herself the center of attention reminded us of a similar cinematic predicament set at a very different sort of major life event: Jonathan Demme’s 2008 drama RACHEL GETTING MARRIED. Revisiting the film for this week’s pairing, along with our spe…
 
The new Bob Odenkirk-starring revenge thriller NOBODY could be read as commentary on the revenge thriller form, but that may be an overly generous reading — or it may just be because we’ve paired it this week with Steven Soderbergh’s THE LIMEY, which is much more overtly reflective about its fantasies of violence and retribution. After working thro…
 
Will Oscar night 2021 see Chloé Zhao crowned Best Director for "Nomadland"? Does anyone have a chance against the late Chadwick Boseman for Best Actor? And what about the Best Actress race? Will former winners Viola Davis and Frances McDormand take another statue home, or could Carey Mulligan or Andra Day surprise with the win? Adam, Josh and guest…
 
The new NOBODY, starring Bob Odenkirk as an unlikely action star, is drawing on a long tradition of revenge movies, which means we had our pick of comparison points this week, but Steven Soderbergh’s 1999 film THE LIMEY struck us as particularly apt not just for the commentary it provides on the revenge narrative, but also for its focus on its prot…
 
Whatever backlash ROCKY has received over the years for beating out the likes of "Taxi Driver," "All The President's Men" and "Network" for the 1977 Best Picture Oscar, it has largely faded as people discover - or rediscover - that the populist hit that spawned a mostly forgettable (and occasionally ridiculous) franchise has more in common with its…
 
The new HBO documentary TINA touches briefly but memorably on the release of 1992’s WHAT’S LOVE GOT TO DO WITH IT, but it’s much more focused on providing a bird’s-eye view of Tina Turner’s entire career, beyond the years she spent in a creatively fruitful but abusive partnership with Ike Turner. Watching the two films together, as we did for this …
 
With the new "Godzilla vs. Kong" bringing some much-needed spectacle to long-suffering theatre chains, Adam and Josh take the opportunity to settle the question of which classic monster movie has the most to offer audiences today, the mournful and metaphor-rich GODZILLA (1954) or the effects-driven adventure of the landmark KING KONG (1933). (Tease…
 
It’s rare that one of the films in a Next Picture Show pairing is directly addressed in the other film, but that’s the case with WHAT’S LOVE GOT TO DO WITH IT and the new documentary TINA, two films with distinctly different approaches tackling a common subject: the life of soul music legend Tina Turner. This week we zoom in on Tina through the len…
 
Adam and Josh skipped the harrowing PIECES OF A WOMAN last fall in the lead-up to end-of-year awards, but with star Vanessa Kirby nabbing an Oscar nomination last week, they couldn't put it off any longer. (At least one of them couldn't, anyway.) They did both play biopic bingo with the U.S. VS BILLIE HOLIDAY, a film which largely fails its talente…
 
Unlike the last unicorn in the eponymous 1982 animated film by Jules Bass and Arthur Rankin Jr., this week’s last-of-her-kind fantasy creature knows what happened to the rest of her kind, setting the new Disney Animation feature RAYA AND THE LAST DRAGON off on a quest narrative that takes a much different shape than THE LAST UNICORN. We’re joined o…
 
A primal scream from the post-Watergate American malaise, NETWORK is a movie entirely of its time that manages to speak directly to ours. Adam and Josh continue their 7 From '76—Best Year Ever series with Sidney Lumet's Best Picture nominee, debating the effectiveness of Paddy Chayefksy's bracing, if occasionally overwritten, script and praising th…
 
While the new RAYA AND THE LAST DRAGON shares far more with its Disney Animation brethren than anything made by Arthur Rankin Jr. and Jules Bass, those filmmakers’ 1982 animated adaptation of Peter S. Beagle’s THE LAST UNICORN shares RAYA’s interest in telling a story about humanity via the plight of a fantasy creature believed to be the last of it…
 
Inspired by the visually striking - and slyly funny - new documentary THE TRUFFLE HUNTERS, Adam and Josh consider the greatest meals they've ever seen on screen. Plus, Josh's thoughts on Marvel's recently-concluded WANDAVISION and the Sweet 16 round of Filmspotting Madness—Best of the '80s. 0:00 - Billboard 1:22 - "The Truffle Hunters" 7:23 - Top 5…
 
Yes, Lee Isaac Chung’s new feature MINARI is a story that involves family farming and scarcity of water, but its connections to Claude Berri’s 1986 tragedy JEAN DE FLORETTE go beyond plot similarities and into deeper explorations of community and outsiders. After discussing our initial reactions to MINARI we dig into those connections, as well as h…
 
Set post-Vietnam in a Big Apple at its filthiest, Martin Scorsese's Best Picture-nominated TAXI DRIVER is very much of its time, but the film's troubled anti-hero, "God's lonely man" Travis Bickle, is a figure we've become all too used to—on social media, at political rallies, or storming the U.S. Capitol. Adam and Josh continue the 7 From '76—Best…
 
Lee Isaac Chung’s new MINARI centers on a family starting over in the country, a theme that got us thinking about French director Claude Berri’s 1986 film JEAN DE FLORETTE, and how its concerns of agrarian hardship in general and water scarcity in particular echo those in Chung’s film. In this half of the pairing we get into JEAN DE FLORETTE’s unsp…
 
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