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Carl Stone has been a huge influence on me – his work transported me from “Interested in that music tech stuff for making pop tunes” to “Let’s get serious!” His exploration into the nature of sampled sounds – and sampled/mashed/twisted tracks – took some of the ideas explored by Schaeffer, Cage, Reich and others, and gave them a whole new context. …
 
Jeff Rona has fascinated me ever since he first appeared in Keyboard Magazine with his “The Reel World” column. It was a time when music-for-film was becoming interesting for tech-savvy musicians, and his writing fueled a lot of people’s interest in that work. With a background that includes working with Mark Isham and Hans Zimmer, Jeff has been in…
 
Will Kuhn is well-known in the Ableton Live community. He pioneered the use of Ableton in the K-12 classroom, and recently released a new book: Electronic Music School: A Contemporary Approach to Teaching Musical Creativity. I was happy to corner him recently, and we had a great chat about his background, how he approaches teaching, and how he deve…
 
Luke Thornton, one of the three people that make up the band Elder Island, perfectly embodies the self-learning/DIY perspectives that are fueling the exciting edge of current music making. Outfitted with a studio full of interesting gear, a lineup of dedicated friends, and the time to focus on production, Elder Island is producing some gorgeous hou…
 
Lisa Bella Donna is somehow algorithmically connected to me – her work shows up consistently in my social media feeds, the sites that I read cover her work, and (of course) the music really speaks to me. So it’s kind of odd that it has taken so long to get her on the pod. Maybe it’s because she’s pretty laid back about her self-promotion, and maybe…
 
Tim Exile has been involved in the Music Tech world for a long time. As the developer of a number of effects and instruments for Native Instruments (including Flesh - https://www.native-instruments.com/en/products/komplete/synths/flesh/ and The Finger - https://www.native-instruments.com/en/products/komplete/effects/the-finger/), he became well-kno…
 
Recently, the Mute label reached out to me to see if I wanted to interview Alessandro Cortini, I had to chuckle a little to myself. Alessandro and I have had great conversations over the years, and I jumped at the opportunity to talk to him about his newest release: Scuro Chiaro. It’s an amazing work – added to an already amazing body of work. Of c…
 
I’ve been a synth-head for a very long time. As a result, I have these little personal dropping-off points of favorite bits of gear: Ensoniq ESQ-1, Roland JD-800, E-mu Proteus and Morpheus. So imagine my surprise when a recent parcel of Facebook paraded all of my favorite synths. And it was put out there by today’s guest – Drew Schlesinger – who wa…
 
Despite the fact that I feel like I’m ‘dialed in’ to everything going on in the MI (Music Instrument) industry, sometimes I just get whacked in the head by something unexpected. I got an out-of-the-blue contact from some people in Argentina; when I started digging into https://yaeltex.com/, I was kind of blown away by what I saw – a ‘make what you …
 
Gary Chang says it himself: “I've always portrayed myself an obscure electronic music composer, whose side gig is scoring Hollywood movies and tv shows.” I don’t think I could frame his work – or his attitude – any better. He takes an artist’s view of everything he does, whether it is his own music, the music he does for ultra-popular directors (li…
 
As the head of content development for Nonlinear Educating (the home of MacProVideo, Ask.Audio, Ask.Video and more…), Steve Horelick has been in the media tool education game for a long time. He’s had his eyes on music software since Logic was an Emagic product. But he also has a long history as a musician and sound designer, with some pretty impre…
 
KamranV is dedicated to new technology for music. From his work at Interscope New Media, through his work on the Phonocut vinyl lathe, Kamran is pushing envelopes at every turn. One of his on-groing projects is the QUARK plug-in system, which provides and easy-to-assemble toolkit for quad encoding and decoding of tracks. The stuff is ‘cooked’ enoug…
 
For my audience, Anthony Rolando probably needs no introduction. As the product designer at Make Noise Music, his work is found in almost every modular system you’ll run across. From his earliest designs (such as the Maths) to his latest (like the Morphagene), he’s helping to define the future of modular systems. Recently, Make Noise has come out w…
 
Phelan Kane is a force of nature – when he recently signed up for the Max Certified Trainer program, I got a chance to see him in teacher-action, and also got a sense of his writing and presentation styles. Wow! Adept at everything from cogent DSP explanations to crazy Max DSP external development, he blew me away with all of the stuff that he coul…
 
Yay! It finally came together! I’ve been working on getting James McCartney for a while, and it happened! And the chat was as good as I hoped – we got to completely geek out on music/audio programming discussions, he introduced me into a class of new instruments, we talked about the past and the future… It’s what makes this podcast so awesome to pr…
 
Joshua Hodge is someone that is dedicated – dedicated to helping people learn to do what they love. Oh, and to get a job, too! His project – The Audio Programmer (theaudioprogrammer.com) is a central location for learning about how to become an audio programmer, and it combines his passion for music with his love of programming, and teaching. In ou…
 
If you listen to any of the music that I do, you have seen the name of this week’s guest: Taylor Deupree. He is a mastering engineer extraordinaire, but he is also an amazing artist and collaborator, as well as running the 12k label. But for all of this work, Taylor is amazingly laid back, and our discussion was fantastically chilled. During our ta…
 
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