Manage episode 285455392 series 2826582
As the pandemic drifts into its one-year anniversary, all eyes are on the end of the thing. Whenever that may be. Discovering, producing, and shipping vaccines is the big plank in the world’s plan to move beyond the coronavirus, but there’s more to it than that. We live in an era of distrust — of corporations, of governments, of experts, of science itself. We also live in an era of inequality. So, getting the vaccines out the door is one thing. Getting people to take them, including in communities that have traditionally been marginalized, is another.
But often these stories are told in a particular kind of way: distrustful people are dummies, and they simply have to be educated. If that doesn’t work, disciplined. We think that’s not going to work. Plus, it’s mostly punching down. Instead, Darts and Letters punches up. This episode looks at government miscommunication, political hypocrisy, journalistic obsequiousness, and industry profiteering. When you understand all that, distrust makes a lot more sense. But we still need that vaccine. So what to do about it?
- First, (@14:24) Garth Mullins is the host of Crackdown, a podcast about the drug war covered by drug users (co-owned and produced by Cited Media, the parent company of Darts and Letters). He warns that there’s no real, clear vaccine plan that can build trust in Vancouver’s Downtown East Side and with other marginalized communities. But Crackdown has some ideas. .
- Then, (@38:32) Srinivas Murthy is a clinician with British Columbia’s Children’s Hospital in Vancouver and Health Research Foundation of Innovative Medicines Canada Chair in Pandemic Preparedness Research. He takes us into the world of vaccine production and procurement, the public funding and private profit, and the inequities that this produces time and time again.
- Finally, (@55:22) Linsey McGoey is Professor of Sociology at the University of Essex and a critic of Big Philanthropy. She argues that free gifts come at a cost — often a high cost. While the Bill and Malinda Gates Foundation are reaping accolades for funding vaccine research, there’s far more to the matter than what you read in the headlines.
——————-FURTHER READING & LISTENING——————-
- For more on Fauci’s bungling, read Sam Adler Bell’s “Doctor Do-Little: The Case Against Anthony Fauci” in The Drift.
- To listen to journalists try to explain why they can’t ask tough questions, listen to“Extraordinary Times. Extraordinary Measures,” from March 2020.
- If you want to understand why COVID-19 is a policy failure, not an individual failure, then Nora Loretto of the podcast Sandy and Nora is where you have to go. She even meticulously compiled a Google Sheet on deaths in residential care homes.
- Plus, read Linsey’s No Such Thing as a Free Gift: The Gates Foundation and the Price of Philanthropy, from Verso Books
- Finally, Crackdown is a must-listen. We talk about EP 22, We’re Not Afraid of Needles Around Here.
——————-SUPPORT THE SHOW——————-
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Don’t have the money to chip in this week? Not to fear, you can help in other ways. For one: subscribe, rate, and review our podcast. It helps other people find our work.
Darts and Letters’ is hosted and edited by Gordon Katic. Our lead producer is Jay Cockburn, and our chase producer is Marc Apollonio. We had research and support from Addye Susnick, Polly Leger, and David Moscrop. We also had consulting from Professors Joel Lexchin and Sergio Sismundo. Our theme song was created by Mike Barber. Our graphic design was created by Dakota Koop.
This episode received support by the Social Sciences and Humanities Research, which provided us a research grant to look at the concept of “public intellectualism.” Professor Allen Sens at the University of British Columbia is the lead academic advisor. It was also part of a wider project, with Cited Podcast, looking at the politics of pharmaceutical research and policy. Professors Joel Lexchin and Sergio Sismundo are the academic advisors on that project.
Darts and Letters is produced in Toronto, which is on the traditional land of Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat Peoples. It is also produced in Vancouver, BC, which is on the unceded territories of the Musqueam, Squamish, and Tsleil-Waututh Nations.