Manage episode 300902007 series 1185329
For our Paramount 1937 episode, we look at two movies starring Carole Lombard and Fred MacMurray: Mitchell Leisen's comedy/melodrama Swing High, Swing Low and Wesley Ruggles' screwball comedy True Confession. Topics include our surprise at Leisen's go-for-broke portrayal of male abjection and MacMurray's risk-taking in Swing High, Swing Low; the quiet virtues of Paramount's leading men; the moment when John Barrymore became Late Al Pacino; and Lombard's adorable sociopath in True Confession as a precursor to Elizabeth Montgomery in Bewitched. "She's going to FRY!"
0h 01m 00s: SWING HIGH, SWING LOW [dir. Mitchell Leisen]
0h 40m 00s: TRUE CONFESSION [dir. Wesley Ruggles]
1h 20m 26s: Listener mail on La Marseillaise with Adam
Studio Film Capsules provided by The Paramount Story by John Douglas Eames
* Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s
* Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive)
* Read Elise’s latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating.
* Check out Dave’s new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist’s 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!
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